Edited by R. Allen Leider
February 26th, 2010
''Cop Out" Reviewed by CJ Henderson
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Oh, what a wonderful mood I’m in. The reason for the
happiness is that I went to see a film I was a touch worried about. It
had a director whose work I’ve felt has gone down hill rapidly over the
years. And, out of its two featured players, one of them is a "Saturday
Night Live" alumni, which let’s face it, usually means talentless hack.
This is certainly a new franchise for Warners and the new ''Lethal Weapon''
for the new generation of moviegoers.
So, if you’re asking yourself, "man, why did you even show up," I’ll admit it, the other featured player was Bruce Willis and he’s one of my favorites. Of course, this means the film I saw this week had to be "Cop Out." And, as you should be able to guess from the intro above, it also means I loved it. If you don’t want to waste time reading a lot of filler, the boil down on this one is, it’s awesome, it’s everything a real guy wants in a shoot-’em-up along with stuff for the crowd who likes clever with their violence. For those who want more, here’s-- |
| The Story: Divorced veteran NYPD detective Jimmy Monroe
( Bruce Willis) is in a bind. His daughter Ava ( Michelle Trachetenberg
) is getting married. She loves him, and is willing to settle for a wedding
he can afford instead of the $48,000 wedding she wants. But, he loves her,
and wants her to have the perfect wedding to make up for all the things
he couldn’t give her after the divorce. So, this means it’s time for him
to finally sell the incredibly valuable baseball card he has been hording
for years. The only problem, the day he goes to sell it, the collectibles
store he goes to is robbed, and the card is stolen. So, as you might
be able to predict, it’s now a merry chase across the landscape to regain
the card and save the wedding. Of course, Monroe and his partner Paul Hodges
(Tracy Morgan) have already been suspended, so they have no police powers,
and the card gets sold to a heavily connected, memorabilia-obsessed gangster,
and Paul’s having trouble concentrating because he believes his wife is
cheating on him, and ...Well, let’s leave it at that, shall we?
"Cop Out" is the funniest, wittiest, most action-packed buddy picture since "Lethal Weapon," and far better than any of the Gibson/Glover sequels. Now, to make small amends, I have to say here that I have nothing against Tracy Morgan. It’s SNL I feel has lost its punch over the countless decades since it was funny. Morgan loses points in the opening of the film with an endless sequence that goes over the top too quickly and then actually needs to be rescued by Willis. But, after that, once Morgan’s Robinwilliamsesque moment of unbridled self-indulgence is over, he becomes consistently funny. He’s not the only one. The film also features Kevin Pollak and Adam Brody as Hunsaker and Mangold, rival detectives in the precinct. Both turn in fine performances, filled with plenty of opportunities to underplay scenes for the good of the over-all movie. To their credit, both of them do so admirably. Still, it is Willis who steals the show. The man hasn’t turned in a performance this funny since his three episode stint on "Friends." For this alone one can only pray they franchise this film immediately. Still, by far, the most amazing thing is the fact this film was directed by Kevin Smith. Smith amazed the world when he made the first super mega-indi-hit, "Clerks," for a few thousand dollars. Now it’s true, he had his core audience that would show up for anything he made, but on the whole his films seemed to get worse and worse as the years went by. And, although the six episodes of the "Clerks" animated TV series he made were utterly brilliant, even such films as "Jay and Silent Bob Strike Back" and "Clerks II" didn’t seem to have his old punch. All bets are off now. Many people have been calling
"Cop Out" Smith’s "sell out" movie, the one he had to make to please the
studios without seeing it. Well, all I can add is, I can’t imagine Warner
Brothers isn’t as pleased as can be with the results. I certainly am, as
all of Brooklyn, NY should be.
Our final word: 5 stars out of 5. |
The Filmmakers:
Directed by Kevin Smith
Screenplay by Rob and Mark Cullen
Released by Warner Brothers
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Beautifully horrorific remake and update of the 1973
George Romero film with the stress on chills rather than military intrigue
and coverup.
David Dutton (Timothy Olyphant) is sheriff of Ogden Marsh, a picture-perfect American town with happy, law-abiding citizens. But one night, one of them comes to a school baseball game with a loaded shotgun, ready to kill. Soon after, another neighbor burns down his own house after locking his wife and young son in a closet. Within days, the sleepy little town town has been transformed into a sickening asylum; people who days ago lived quiet, unremarkable lives have now become depraved, blood-thirsty killers, hiding in the darkness with guns, pitchforks and knives. |
| Sheriff Dutton, his physician wife Judy ( Rahda Mitchell ) and his deputy Ruyssell Clank ( Joe Anderson ) try to make sense of what’s happening as the horrific, nonsensical violence escalates. Something is infecting the citizens of Ogden Marsh with insanity. When the truth comes out that an Army plane crashed into the march with a load of biotoxin heading ( they say ) to an incinerator and has contaminated the water, it's too late. Complete anarchy reigns as one by one the townsfolk succumb to the unknown toxin called Trixie and turn sadistically violent. Another setback - the toxin becomed airborne with a 48 hour infection period. In an effort to keep the madness contained, the government uses deadly force to close off all access and won’t let anyone in or out – even those who are uninfected. |
The Filmmakers:
Directed by Breck Eisner
Screenplay by Scot Kosar and Ray Wright
Released by Overture Films
